Greek Tragedy and Political Philosophy读书介绍
| 类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
|---|---|---|---|---|---|
| 书籍 | 204页 | 2020 | Cambridge University Press |
| 定价 | 出版日期 | 最近访问 | 访问指数 |
|---|---|---|---|
| USD 80.00 | 2020-02-20 … | 2020-03-09 … | 53 |
In this 2009 book, Peter Ahrensdorf examines Sophocles' powerful analysis of a central question of political philosophy and a perennial question of political life: should citizens and leaders govern political society by the light of unaided human reason or religious faith? Through an examination of Sophocles' timeless masterpieces - Oedipus the Tyrant, Oedipus at Colonus and Antigone - Ahrensdorf offers a sustained challenge to the prevailing view, championed by Nietzsche in his attack on Socratic rationalism, that Sophocles is an opponent of rationalism. Ahrensdorf argues that Sophocles is a genuinely philosophical thinker and a rationalist, albeit one who advocates a cautious political rationalism. Ahrensdorf concludes with an incisive analysis of Nietzsche, Socrates and Aristotle on tragedy and philosophy. He argues, against Nietzsche, that the rationalism of Socrates and Aristotle incorporates a profound awareness of the tragic dimension of human existence and therefore resembles in fundamental ways the somber and humane rationalism of Sophocles.
作者简介古希腊肃剧源于每年一度的酒神祭(四月初举行，通常持续五天)，表达大地的回春感(自然由生到死、再由死复生的巡回)，祭仪内容主要是通过扮演动物表达心醉神迷、灵魂出窍的情态——这时要唱狂热的酒神祭拜歌。公元前六百年时，富有诗才的科林多乐师阿瑞翁(Arion)使得这种民俗性的祭拜歌具有了确定的格律形式，称为酒神祭歌，由有合唱和领唱的歌队演唱。古希腊肃剧便衍生于在这种庄严肃穆的祭歌之间有情节的表演，剧情仍然围绕祭神来展开。
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