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Worldly Stage读书介绍

类别 页数 译者 网友评分 年代 出版社
书籍 350页 8.4 2020 Harvard University Asia Center
定价 出版日期 最近访问 访问指数
USD 44.95 2020-02-20 … 2021-07-28 … 33
主题/类型/题材/标签
海外中国研究,戲曲,汉学,文化史,英文原版,戏剧,
作者
Sophie Volpp      ISBN:9780674021440    原作名/别名:《》
内容和作者简介
Worldly Stage摘要

In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites. As the newly rich and the newly educated challenged the position of older elites, notions of performance and spectatorship came to animate diverse aspects of literati cultural production. The goal of Worldl...

作者简介

In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites. As the newly rich and the newly educated challenged the position of older elites, notions of performance and spectatorship came to animate diverse aspects of literati cultural production. The goal of Worldly Stage is to show how the theater acquired this figurative power.

Conceptions of theatrical spectatorship, Sophie Volpp argues, helped shape a discourse on social spectatorship that suggested how a discerning person might evaluate the performance of status. The exploration of theatricality allowed authors to discuss the emerging middle elite's precarious grasp of symbolic capital and the cultural past. That social roles resembled theatrical roles illuminated the excesses of the socially aspiring and the success of the undeserving. The transience of the world and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization. That theatrical spectatorship provided a model for how one viewed the world was an old idea. What was new was that theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated.

本书后续版本
未发行或暂未收录
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