Tiepolo and the Pictorial Intelligence读书介绍
类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
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书籍 | 196页 | 2020 | Yale University Press |
定价 | 出版日期 | 最近访问 | 访问指数 |
---|---|---|---|
USD 40.00 | 2020-02-20 … | 2021-04-03 … | 62 |
Tiepolo is a brilliant example of the specifically pictorial intelligence. This book is both a study of his art and an argument for fuller recognition of the peculiarities of the painter's representational medium. Alpers and Baxandall locate distinctive modes of Tiepolo's representation of the world and human action; follow his process of invention from first pen drawings, through small oil sketches, to great frescoes; and analyse his best and biggest painting, the Four Continents in the Stairway Hall of the Prince-Bishop's Residence at Wurzburg, illustrated with photographs specially taken for the book. The topics taken up include: painting's resistance to enacted narrative drama, its engagement with indeterminacies and repetitions, the senses in which a painter may 'perform' both past art and himself, the constructive roles of gestural drawing, exploitation of shifts of scale between design and finished work, dialogue between the changing natural site lighting and in-picture lighting, contributions made by the beholder's own mobility, the expressive scope of tensions between two and three dimensions, the deep rationale of rococo formal structure, and the sources of the moral force of pictures without an explicit moral. The book - both art criticism and a practical polemic - ends with an annotated gazetteer for travellers, listing those Tiepolo paintings that can still be seen in the places and conditions for which he painted them.
作者简介斯维特兰娜·阿尔珀斯(Svetlana Alpers,1936- ),“新艺术史”的积极倡导者之一,长期任教于加州大学伯克利分校艺术史系。主要著作包括《帕拉达要塞的装饰》(1971)、《描写的艺术:17世纪荷兰的艺术》(1983)、《伦勃朗的企业:画室与市场》(1988)、《鲁宾斯的形成》(1995)、《艺术的烦恼:维拉凯斯及其他》(2005)等。
迈克尔·巴克森德尔(Michael Baxandall,1933-2008),20世纪后半叶最重要的艺术史家之一。曾任教于瓦尔堡研究所、伦敦大学和加州大学伯克利分校。主要学术著作包括《乔托与人文学者》(1971)、《15世纪意大利的绘画与体验》(1972)、《文艺复兴时期德国的椴木雕刻家》(1980)、《意图的模式》(1985)、《阴影与启蒙》(1995)、《图画的文字》(2003)等。自传《记忆片段》...
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