Film Language读书介绍
| 类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
|---|---|---|---|---|---|
| 书籍 | 286页 | 9.8 | 2020 | University Of Chicago Press |
| 定价 | 出版日期 | 最近访问 | 访问指数 |
|---|---|---|---|
| USD 27.50 | 2020-02-20 … | 2021-03-06 … | 26 |
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film.
"The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement"
"Modern film theory begins with Metz."--Constance Penley, coeditor of "Camera Obscura"
"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, ["Film Language"] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."--Stephen Heath, "Screen"
作者简介克里斯蒂安·梅茨，1931年生于法国，1971年获语言学博士学位，为电影符号学先驱，自1966年起任教于法国社会高等科学院。毕生钻研符号学及叙事理论。著有《电影语言》、《论电影中之指示意义》等书。
刘森尧，东海大学外文系毕业，爱尔兰大学爱尔兰文学硕士。
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