Rosencrantz and Guildenstern Are Dead 新书_图书内容介绍_剧情呢
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Rosencrantz and Guildenstern Are Dead读书介绍

类别 页数 译者 网友评分 年代 出版社
书籍 128页 2020 Faber & Faber
定价 出版日期 最近访问 访问指数
$9.37 2020-02-20 … 2020-03-01 … 79
主题/类型/题材/标签
戲劇,荒诞剧,
作者
Tom Stoppard      ISBN:9780571333721    原作名/别名:《》
内容和作者简介
Rosencrantz and Guildenstern Are Dead摘要

Rosencrantz and Guildenstern Are Dead is one of the most enduring and frequently performed plays of contemporary theater and has firmly established itself in the dramatic canon. Acclaimed as a modern masterpiece, it is the fabulously inventive tale of Hamlet as told from the worm’s-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s pl...

Rosencrantz and Guildenstern Are Dead is one of the most enduring and frequently performed plays of contemporary theater and has firmly established itself in the dramatic canon. Acclaimed as a modern masterpiece, it is the fabulously inventive tale of Hamlet as told from the worm’s-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Revised and reissued to commemorate the fiftieth anniversary of the play’s first performance, this definitive edition includes a new introduction and previously unpublished ancillary material.

Sir Tom Stoppard OM CBE FRSL HonFBA (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter, knighted in 1997.[1] He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are De...

Sir Tom Stoppard OM CBE FRSL HonFBA (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter, knighted in 1997.[1] He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards.[2] Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation.[3] In 2008 The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture".[4]

Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the three years prior (1943–46) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright. He has been married three times, to Josie Ingle (m. 1965), then Miriam Stoppard (m. 1972), and Sabrina Guinness (m. 2014).

作者简介

Rosencrantz and Guildenstern Are Dead is one of the most enduring and frequently performed plays of contemporary theater and has firmly established itself in the dramatic canon. Acclaimed as a modern masterpiece, it is the fabulously inventive tale of Hamlet as told from the worm’s-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s pl...

Rosencrantz and Guildenstern Are Dead is one of the most enduring and frequently performed plays of contemporary theater and has firmly established itself in the dramatic canon. Acclaimed as a modern masterpiece, it is the fabulously inventive tale of Hamlet as told from the worm’s-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Revised and reissued to commemorate the fiftieth anniversary of the play’s first performance, this definitive edition includes a new introduction and previously unpublished ancillary material.

Sir Tom Stoppard OM CBE FRSL HonFBA (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter, knighted in 1997.[1] He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are De...

Sir Tom Stoppard OM CBE FRSL HonFBA (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter, knighted in 1997.[1] He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards.[2] Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation.[3] In 2008 The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture".[4]

Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the three years prior (1943–46) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright. He has been married three times, to Josie Ingle (m. 1965), then Miriam Stoppard (m. 1972), and Sabrina Guinness (m. 2014).

本书后续版本
未发行或暂未收录
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