Hollywood Highbrow读书介绍
| 类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
|---|---|---|---|---|---|
| 书籍 | 242页 | 2020 | Princeton University Press |
| 定价 | 出版日期 | 最近访问 | 访问指数 |
|---|---|---|---|
| $ 50.85 | 2020-02-20 … | 2021-03-25 … | 58 |
Today's, moviegoers and critics generally consider some Hollywood products - even some blockbusters - to be legitimate works of art. But, during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms.In "Hollywood Highbrow", Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies - and not just European ones - deserved to be considered art.
作者简介【作者简介】
施恩•鲍曼（Shyon Baumann）1994年毕业于麦吉尔大学社会学系，2001年获哈佛大学社会学博士，现任多伦多大学社会学助理教授。主要研究与媒体、文化、艺术等相关的社会问题，包括社会价值评估、合法性、文化框架、经济不平等、地位差异等。
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