Fashion and Its Social Agendas读书介绍
类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
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书籍 | 352页 | 8.1 | 2000 | University of Chicago Press |
定价 | 出版日期 | 最近访问 | 访问指数 |
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GBP 25.50 | 2000-08-01 … | 2023-03-01 … | 62 |
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares 19th-century societies - France and the United States - where social class was the most salient aspect of social identity signified in clothing with late 20th-century America, where lifestyle, gender, sexual orientation, age and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how 19th-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and "Fashion and Its Social Agendas" stands out as a critical study of gender, fashion and consumer culture.
作者简介戴安娜·克兰(Diana Crane)
美国著名文化社会学家,宾夕法尼亚大学社会学系荣誉教授,曾在耶鲁大学、约翰斯·霍普金斯大学、普瓦提埃大学、鹿特丹伊拉斯姆斯大学等多所高等学府任教,是艺术、媒体、大众文化研究方面的权威学者。著有《先锋派的转型:1940—1985年的纽约艺术界》(1987)、《文化生产:媒体与都市艺术》(1992)、《时尚及其社会议题:服装中的阶级、性别与认同》(2000)等。
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