Mei Lanfang and the Twentieth-Century International Stage读书介绍

This is the first book-length study, in any language, of the influence of Mei Lanfang - the internationally known Chinese actor who specialized in female roles - on the twentieth-century international stage. Tian investigates the political, ideological, cultural as well as theatrical contexts of Lanfang's presence and the various interpretations and appropriations of his art by such key figures as Brecht, Meyerhold, Eisenstein, Tairov, and Eugenio Barba. Tian also delves into the Chinese support of and opposition to Lanfang's tours and the tours' transnational impact on Manfang's reception in China and on the Chinese theatrical interpretations of his work.

田民，1990年在中央戏剧学院获博士学位，后留校任讲师和副教授。1994年赴美国，后在伊利诺伊大学戏剧系获博士学位。现供职于爱荷华大学。主要从事比较戏剧和互文化戏剧研究。曾发表英文著作《差异与置换的诗学：20世纪中西互文化戏剧》（The Poetics of Difference and Displacement:Twentieth-Century Chinese-Western Intercultural Theatre,2008）、《梅兰芳与20世纪国际舞台：中国戏剧的定位与置换》（Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced，2012）、《亚洲戏剧对现代西方戏剧的用途：置换之镜》（The Use of...

Twentieth-Century大结局and大结局Lanfang大结局Stage大结局the大结局Mei大结局International大结局

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